NORTH NORTH HOLLYWOOD - Chapter 22 -by Peter Nolan Smith

TWENTY-TWO<

A toxic stench ferreted into Sean's nostrils. He coughed twice and sat up on the couch. A smooth-faced TV preacher was shouting for brimstone to cleanse the world. Armageddon was not the source of the chemical reek. The poisonous fumes came from the inferno video tapes in the fireplace, which was fed by Che Chasta. She was in a tan raincoat and her blonde hair was fluffed from her head like a wilting Afro.

Each cassette ignited with a whoosh and acrid smoke furled over the mantle to billow upward to a surly cloud warning that the super-hot gases would soon reach a dangerous flashpoint. Sean jumped to his feet and pulled Che away from the fire, but she fought him off to throw another armful of videos into the fireplace.

"You got to stop.”

"Not until they're all destroyed.” Che was completely out of her head. "That's the only way to get at him.”

"You're going to burn the place down." Sean dragged away Che, as the flames crawled up the wall blistering the paint. The fire would soon be a killer and the scorched air spoke in a primordial tongue, tempting his very bones to stay and watch.

"Now we can go." Che handed him a heavy bag of videotapes and seized two smaller pieces of luggage.

He ran outside into a cold drizzle. A racking of coughs cleared the smoke from their lungs. Sean turned to the bungalow. Black smoke seeped from the windows. Dogs barked out warnings around the neighborhood, their ears alert to danger. Sean reached for the garden hose.

"Leave it." Che strode down the sidewalk to a dented lime-green Cadillac.

"You can't walk away.” Sean caught up with the blonde, as she threw the luggage into the back seat.

"Just watch me.” Che opened the Cadillac's door. "If you want to stick around and explain the fire to the Fire Department, be my guest, but the more distance between me and that shithole the better.”

Several panes of glass cracked from the searing heat inside the bungalow. Che sat behind the wheel and started the engine.

"It's not my house and it's not yours." Her excuse made sense. No one was inside the house. A neighbor would soon call 911. The LAFD would extinguish the fire and the LAPD would ask who, what, when, where, and why over and over again, till the cops had a suspect on whom to pin the arson. The bass revving of a Motown engine forced Sean's hand and as soon as he jumped in the Cadillac, Che stamped on the gas . The big car swerved down the street, narrowly missing several parked vehicles. At Franklin Che braked impatiently and waited for an opening in the traffic before turning left.

"You burnt all those other tapes, why not these?” Sean pointed at the bag in the backseat.

"Those are the masters of the ones I liked. Somehow I felt, if I destroyed those, then I'd disappear.”

"You mean like taking your picture might be stealing a part of your soul?” Sean didn't like his picture being taken, mostly because it told the truth not so much of your soul, but whether the picture-taker liked his subject. He hadn't had a good photo in years, although the Polaroid from Sherri wasn't bad.

"I don't have enough soul left for anyone to steal." Che threw back her head to shake loose the blonde mane. "Only what's left on these tapes.”

"I understand that, but why'd you burn down the bungalow?”

"You have to ask? You saw the way he left me. It wasn't the first time he treated like a piece of meat, but it was the last.” The wide lanes of Franklin were devoid of traffic, which is the only sign of life in LA in the rain, but Che stayed well under the speed limit. "I could have killed him, but without those videos he'll never make another penny off me.”

"Who are you talking about?” Sean expected the flashing lights of fire trucks to appear any second.

"You don't know, do you?” Che was far from the near-corpse of the morning. 911 had not erred in ignoring her call. She was alive with rage. Anger is a great pick-me-up.

"No.” The only face coming into his head was that of the old man in Vegas, but his being C he's persecutor was too great a coincidence, even for a city so wrapped up in the cinematic circumstances of normal lives.

"It doesn't matter now.” Che swung the wheel sharply and the rear tires skipped across the greasy pavement. She had obviously bought the car for surviving accidents, not handling. "I'm out of here for good now.”

Sean had the feeling Che had said that last line too many times without ever leaving.

"Why don't you go to the police?”

"Don't play me for stupid. You weren't in any car crash in the desert. Someone tried to kill you. Someone a lot scarier than the police, so you ran and I’m running all the way to Johnson City, Texas. An old boyfriend has a ranch out there. He'll take care of me. Maybe even love me. Hey, if it's such a good idea now, why wasn't it back then?” Che Chasta was down to her last pages in the book of making it in LA. The Chapter called Leaving Town.

"Things change.”

"Don't they?” She paused a second, then asked, "You watched those films this afternoon. All the men and women I did. You think it's too late to start all over?”

"Not as long as you never have to walk back across the bridge you just burned.”

"I hope you take your own advice,” Che smirked with the satisfaction of turning a new leaf.

”Never."

"Me neither." Che jammed on the brakes and veered onto the southbound ramp of the Hollywood Freeway. The Cadillac scuttled to a stop on the crumbling shoulder and Che turned to him with a wrinkled nose "Is that you?”

"I haven't bathed in a couple of days." Sean smelled his armpits without detection a strong odor, then again women have better nose than men.

"That all." Che cracked the window. "Where you heading, stranger? I could use some company on the way out to Texas.”

"Back to the Valley." Sean hoped she would offer him a ride, instead she shook her head like a lovelorn housewife on the prowl for some hitchhiking trash.

"I'm never going back that way again. Tell that to all the assholes over there. Just keep quiet about where I'm going, huh, stranger.”

"Sure.” Sean scowled with his hand on the door.

"You angry at me for dumping you in the rain."

"I thought I might get a ride into Valley for saving your life."

"I wasn't dying." Che revved the engine. "And I'm not going into the Valley. No telling what might happen if I go over there. You understand? When you got to go, you got to go.”

Che leaned across the seat and pulled him close, opening her mouth to kiss him. Her tongue pushed apart his lips. Their hot breaths mingled for several seconds, till Che broke away and said, "If you were coming to Texas, I could thank you properly.”

"It's tempting." Sean screened a ride to Texas with Che inside his head. XXX road trip with only one possible ending. "Somehow I see myself in the middle of Texas and you driving away to be with your cowboy.”

"He's not into menage-a-trois." Che smiled with the promise of the open road lying before the Cadillac. "All I can offer is a ride.”

"Thanks but no thanks." Sean couldn't write a sequel to her deserting him in Texas and he opened the passenger door.

"You tell Sherri and Lena I love them. I really do.”

"Anything else?" Sean wondered ho many years it had been since she had been home.

"Yeah, you, like every other guy I ever met, want to ask how a nice girl like me ended up doing films. The therapists were always blaming my mother or father, but nobody ever forced me into this. I was born wild. I liked being in adult films. I love sex and enjoyed being a star, but you men, you're all scum. From Adam on up. Take my word on that.”

Any chance Sean had to defend his half of the species died, when Che gunned the engine and motioned for him to get out. As he stood on the wet pavement, she opened the raincoat and flashed a parting shot of her naked body.

"You're missing one hell of a ride.”

Bald tires ripped up the mud and the car sped down the ramp to vanish into the Freeway's afternoon rush hour. The rain fell harder and a dirty flume of black smoke rose into the air over the trees from where they had come. He looked for a taxi, except LA is more like Queens than Manhattan. A bus rolled a block away and he dashed across the street, only to have a siren whoop and megaphonic voice ordered, "Stay where you are.”

A LAPD cruiser pulled up to the curb and a uniformed officer got out of the patrol car, right hand on his holster.

Sean raised his hands thinking, "One of the neighbors called in my description. It's over. I'll tell them everything. About the fire, the attempted murder in Las Vegas, the wallets, deRocco and Driscoll, every crime I ever committed. I'll do time, but I'll come out of it clean and that's all I'm after, isn't it?”

The cop regarded Sean's beaten face and asked for ID, which was not SOP for a felony arrest. Sean handed over his Irish passport. "What'd I do, officer?”

"Jaywalking is against the law in California, Mr. Coll,” the young cop made a face. His nose scrunched up in disgust.

Before the officer in dark blue could lecture Sean on pedestrian safety, three fire engines roared up Franklin with lights flashing and sirens blaring. The cop's shoulder radio squawked out an indecipherable message. Visibly disappointed at being unable to roust Sean, the cop handed back the passport.

"You have the luck of the Irish, Mr. Coll. There's a fire up the street. Cross at the lights next time.”

"Sure thing, officer." Sean could play good citizen with the best of them.

The cop retreated with his hand on his holster, just in case Sean tried anything, then got in the cruiser and chased the fire engines out of sight. Sean couldn't believe his good fortune. He ran over to the Freeway's northbound on-ramp and stuck out his thumb. It was the only way he was going to get out of here.

Standing by the FREEWAY ENTRANCE sign, Sean shivered in the cold rain and blew on his hands between surges of cars. Not many people hitchhike anymore and Sean soon found out why the old tradition was gone.

Each pair of motorists' eyes was locked on the road before them. Their backs were hunched over the wheel like they had evolved from turtles. He tried to look sympathetic, but every driver's faces with whom he attempted eye contact greeted him with scorn. Even those motorists in barely drivable wrecks deemed themselves worthier than the tramp they saw in Sean, for if there's anyone a driver in LA hates worst than another driver, it's a pedestrian, but he had to ask himself, "What could have put these people in such a shitty mood?”

The answer was too easy, for having to drive everywhere in LA had imprisoned most Angelenos within these steel machines, depriving them of any human contact, but while Sean regarded the car as the partnership between two Neanderthal inventions, fire and the wheel backed up by a little basic navigation, he would have given anything to be a driver now, but no one was going to pick up someone as roughed up as him. He was stuck here like a roadside museum piece and, when a van almost sideswiped him, and he swore, "Fuck Jack Kerouac.”

He was ready to give up, but a Nissan Sentra pulled over to the shoulder ahead. Once inside, the car drove away and merged with traffic and Sean said, "Thanks a lot.”

"Been out there long?” The middle-aged man in a brown suit sneaked a glimpse at Sean's crotch.

"Long enough,' Sean knew what was coming next.

"I'll turn up the heat. That should be better.”

"Yeah, lots,” Sean replied, but stiffened as the driver finished talking about the weather by saying, "Have you been with a man?”

"Not since I was a young boy.”

"I like your cologne. Is real musty." The driver eyed Sean with interest.

"I've been wearing only a couple of days." Jack Kerouac wrote in ON THE ROAD that the worst part of hitching was proving to the driver that they hadn't made a mistake stopping for the hitchhiker. The heavy skies opened up and the deluge obscured the Freeway. He could still be out there, so played along with the driver's come-on, grateful to be out of the rain.

Sean kept up the small talk, enticing the driver with tales of his youth in New York. Most of it was lies. Thirty minutes later Sean arrived at the complex in North Hollywood, damp, but not cold. He knocked on the door.

"I thought you had gone." Lena opened up with visible relief. She smiled at her lover. Obviously the older woman had been betting on his being gone for good. It was nice to be wanted and not wanted at the same time, although the first was better than the latter.

"I did." Sean pulled off his wet coat.

"Where?" Sherri was holding a video camera in her hands like she wanted to throw it at his head.

There was nothing to be gained from telling the truth and he didn't want to lie.

"I went over to Hollywood. Saw and old friend and came back." He picked up a towel and wiped his face. "She said I smelled like the dead.”

"And did you take a shower?" Sherri eyed him as if he might have slept with this woman. Not with jealousy, but with disgust. She really hated men.

"No, I'm as dirty as a bucket of sludge."

"It's only going to get worse." Sherri had accepted his story.

"If you can live with then so can I." If she wanted him dirty, then he was going for it. He had seen her at her worse with Che. Sherri might be cleaner, but neither of them were saints. "Man, it was wet out there.”

"It's supposed to clear up tomorrow,” Sherri countered and said, "We have a lot of work left before we leave in the morning. I suggest you get some sleep.”

It was more an order and Sean went into the back bedroom without a single mention of her films with Che or even their fifteen seconds in an after-hour club in New York twenty years ago or his wanting her more than ever, despite her hating men. Why was a question he could not answer, but definitely not one he would ask Sherri any time soon. Not if he knew what was good for him.

NORTH NORTH HOLLYWOOD - Chapter 18 - by Peter Nolan Smith

EIGHTEEN

Sean woke in a strange bed and walked take to the window. He was unmistakably in LA.

Back in 1972 a speed freak in a Buick Riviera had picked up Sean outside Sterling, Colorado and muttered what sounded like, "I'm going to San Francisco."

A straight shot to the coast had sounded good. He was headed to Big Sur. Somewhere in Nevada the hype-up driver had turned south. The desert landscape looked all the same at night and Sean woke up as they passed a highway sign saying 'San Fernando'. It took him several seconds for his awakening mind to realize that the meth-head had earlier said San Fernando, instead of San Francisco.

The speedfreak had dropped him off on the highway next to a gigantic orange grove. It was the dead of night. Sean was disappointed by his 400-mile mistake, but too tired to hitchhike on the highway. He walked into the orange grove and fell asleep breathing the scent of night jasmine. The throttle of the throttling semi-trailers on the highway lullabyed his dreams. It was like a remake of Kerouac's ON THE ROAD, which was impossible in 1995. The next day he hitch up the PCH to Big Sur.

The ensuing twenty-five years had been cruel to the Valley. The suburban sprawl had obliterated the Southern California immortalized by the car, surf, and hippie songs of the 1960s.

Fields of orange groves had been reduced to individual trees in backyards bordered by a freeway congested with slow-moving traffic. The Valley suffered from too many people, then again not everyone could live in Hollywood Hills.

For the moment Sean was happy. In some ways Driscoll's almost killing him might have been just the catalyst to jump-start his life, though he could skip another close encounter with death.

Someone had put the wallets and money in a paper envelope. His clothing was gone. ean sat on the bed with the wallets. Driscoll must have planted them after the first punch. He opened each one at a time. He recognized none of the names on the credit cards. The names meant nothing. The faces on the IDs belonged to normal men. The oldest was sixty-five and the youngest thirty-seven. The addresses were mostly from LA and New York. Sean figured each man as dead. He had been very lucky f in the desert. With that in mind Sean wondered what to do with the wallets.

Sending them back to their respective addresses would only re-awaken the families' anguished questions. Posting them to One Police Plaza in New York with a note explaining the connection between the wallets and the two cops from the 9th Precinct might spark an investigation,. There was no guarantee the package would reach Internal Affairs intact. The Wall of Blue have a tendency to misplace any evidence incriminating another cop. Getting rid of the wallets was probably the best solution and Sean stashed them along with the counterfeit money in a manila envelope under the bed. They might come in handy.

Sean walked quietly to the living room with ADAM AND TWO EVES.

The other bedroom door was shut. The women were sleeping late. Maybe not. He had no idea of the time and thee wasn’t a clock in the apartment.

He lay on the couch and began to read the screenplay. The plot flowed easily through the post-apocalyptic tale of two women driving through the wastelands. The last two people on Earth are happy with this empty world, until meeting a derelict man. They agonize over whether to kill him outright, but opt to be impregnated by him to resurrect the human race.

Surprisingly the monologues about the preservation of humanity were darkly humorous and the love scenes were more tableaux of comic desperation. The sex scenes happened behind closed doors. Upon reaching page 105, the women are about to kill off the man, There was no page 106 or the words THE END. He rifled through the script to find the final page.

Nothing.

He flung down the screenplay and stood up, feeling the grime from the air travel, a day in a cheap motel, the tumble in the desert, a long car ride, a night's sleep in a strange bed crawling on his flesh,, What he needed now more than the ending to the script was a hot shower and a shave .

Sean tiptoed down the hallway and stepped into the bathroom, an orderly shrine to feminine hygiene. He lifted the toilet seat to relieve himself. His kidneys hurt from the booting. His urine was its a bright yellow without any reddish tinge. A good sign He put down the seat cover, then stripped off his underwear and tee-shirt and turned on the shower. The water was hot and strong, the way a real shower should be. He borrowed a new Bic razor from the cabinet and pulled back the plastic curtain, thinking, "This is going to be good."

The opening of the bathroom door startled him and he grabbed a towel to cover himself.

"Relax, I've seen plenty of naked men before." Sherri surveyed his body like a butcher deciding how to slice up a slab of beef. Her body in white cotton underwear was as lean as a welterweight. Her stomach muscle were a hundred times more defined than his.

"I'm not shy." Sean clutched the towel tight to his waist and sucked in his guts.

"Good, because you'll be naked in this film." "In the meanwhile no shaving.” Sherri took the razor from his hand.

"My beard comes in white.” Sean noticed the Interstate of narcotic abuse inside Sherri's arm. They were old. His were a lot less.

"That's fine. You're the man from nowhere. The more beat-up the better." She ignored his interest and shut off the water. "I also want you grimy. Like there were no more showers in the world. Just wash yourself off in the sink. And hurry up, breakfast will be ready shortly."

"I'll be quick, I had two sisters.” Sean released the towel and wiped his face, underarms, and groin with a hand towel. The grim of the desert was a dark brown.

"Looks like a bad crash." Sherri regarded Sean's cuts and bruises. She reached into the medicine cabinet from a bottle of alcohol and cotton swabs.

"It was.” Sean shut off the shower and threw the soiled face cloth into the hamper.

"Not at all, but let me tend to that cut on your neck. No sense in letting it get infected." Sherri sat him on the toilet seat and expertly probed at the seared flesh on his neck with a cotton swab. "You ever been in a film before?"

"Only one.” Sean twinged from the bite of alcohol. "I shot a Dracula film. 8mm. One reel."

"How long ago?" Sherri daubed at the edges of his wound.

"I was 8. The cast was my brothers and sisters. My mother discovered us playing bloodsuckers in the basement. She denounced us to the Church. The priests and nuns had us pray for our souls. My father never developed the film."

"So you've never been in a film?" Sherri patted his neck with a red-stained cotton ball.

"No."

"Like I said there'll be nudity in this film. Do think you can do a love scene? PG-13. No penetration."

"That depends.” He cringed in reaction to the Mercurochrome's sting.

"Depends on what?"

"On who's getting naked."

"In this case we are talking about you."

Sean had read in the script that his character makes love to the younger woman for procreation and the older for recreation, but still had to ask, "Me?"

"We don't have the money to use body doubles, Mr. Tempo."

"I don't mind looking all beat-up, but I don't want to look fat."

Sherri put down the medicine and laughed aloud.

"What's so funny?” Picturing their scene together in a deserted mountain cabin, his body responded in the old-fashioned way.

"People no longer care about good versus bad, but the breaking the Eleventh Commandment, "Thou shalt not look fat.” Mr. Tempo, we'll shoot you like Orson Welles shot himself. From the fifth rib up.” Sherri pushed his head forward and applied a greasy antibiotic salve to his neck. "You'll be the Man from Nowhere like you are now."

"I didn't think either of us were after beautiful," Sean commented, having extracted from the script that the author would have been happier, if men were extinct.

"No, we're not, but that decision belongs strictly to the camera.” So we are okay with being naked?”

”I am now. Why not later?” .

"Glad we settled that, Mr. Tempo. Will there be anything else?"

"Yeah, the last pages of the script seem to be missing."

"That's, because we don't have an ending yet.” She stared at him coldly in the mirror.

"There's only twenty five stories and five endings."

"Says who?"

"The classics.” Sean rose to his feet, several muscles protesting the move.

"The classics?” Sherri checked him a little closer. His body carried deeper and older scars than those from his car crash. The injuries to his face and busted knuckles on both his hands were uneven. He had been in more fights than most men and lost a good share of them. Like her he had used his body roughly, but his eyes displayed more intelligence than his battered face deserved. She bit on the bait and asked,” So what are these five fabulous endings you're talking about?"

"Good ending, bad ending, nothing ending, everyone dies in the end, or it was all a dream,” Sean quoted from either Boston College professor of English from twenty years ago or a half-forgotten men's magazine article. "Of course there's a sixth ending, where all the other ending are combined for the mega-finale. For ADAM AND TWO EVES, I can see how you'd like to kill off the male for a big pay-off. Me, I think it'd be better, if they left him back where they found him. Sort of the abandonment of Adam by the Eves. An ending for him. Not good not bad. Good ending for the women. The dream continues with their pregnancy. No one gets killed. No car chase. The new world."

"Nice pitch, Mr. Tempo. We'll have to think about it.” Sherri was surprised by his coming with such an unforeseen, yet logical ending. Maybe he was as different as Lena thought, except 'maybe' was a big word, when it came to men. "One more thing."

"What's that?” Sean was thankful she had not asked what the twenty-five stories were, because he could only come up with boy-meets-girl.

"Are the police looking for you?"

"If you mean, is there a warrant out for my arrest? The answer is no. If I am suspected in a crime, the answer is still no.” Neither Driscoll nor deRocco were the police to him and having only faked killing the old man in Vegas absented his name from any APB, but he admitted, "Sure, I've sinned, but I've been putting that behind me."

"Sometimes that's not so easy."

"I'm sure you know how hard that can be, but right now I don't want to be a problem to anyone."

"That makes two of us.” A masculine musty stench rose off his body and Sherri's nostrils flared involuntarily with disgust. It would only get worse over the next two weeks.

"You must be hungry, what about breakfast?"

"Sounds good to me.” Getting something in his stomach would help to deaden the feeling that he had been dragged into town on a morgue slab.

Get dressed, Mr. Tempo. I’m washing your old clothes. I set you out jeans on the bed. We don't need you naked now.” It had been a long time, since she had been this close to a man and the old habits took their time dying, for as she left the bathroom her eyes glanced down at this crotch. His erection was to be expected. Not too big. Not too small.

"Breakfast will be ready in five minutes."

The bathroom door shut. Somewhere in this beaten body was the key to why these two women were taking a chance on him. For now he would heed his father's advice about not attempting to fathom the depths of a female mind. He had enough trouble understanding himself.

After putting on the jeans and a t-shirt, he hurried into the kitchen. The smell of sizzling bacon struck his nostrils and Sean greedily eyed the eggs frying in bacon fat on the stove.

"Can I be of any help?" Sean had been living alone for a long time. Even longer in the company of women. Good manners were rusty but not forgotten.

"Yes, just set the table for three." Sherri pointed to a kitchen cabinet.

The terrace windows had been opened to clear out the greasy bacon smoke and the morning damp had worked its way into the apartment. He had never thought California could be this cold and he blew into his hands.

"Sorry, we don't use sugar or dairy products." Sherri handed him a steaming cup of coffee.

"That's okay as long as it's real coffee."

"It's real.” Sherri glanced at the rain outside. "We'll take you out shopping for warmer clothing later. It gets cold this time of year in the desert."

Sean hadn't had a woman buy him clothes in years, though in this case Sherri was more like a sister annoyed at her ne'er-do-well brother than a loving girlfriend. Any question he was about to ask her about the desert died on lips, when Sherri lifted the eggs out of the frying pan and onto a plate of toast and bacon. It stayed on the counter and she placed a bowl of yogurt and fruit on the table.

"What about me?”

"That's for Lena. The clock for your diet is clicking. This is your one meal of the day. For the rest of the day you get vegetable juice and plenty of water. You want to look good for the camera, right?” Sherri arched her eyebrow.

Sean almost protested, except Lena entered the kitchen, wearing a filmy teddy and kissed Sherri on the neck. She turned to Sean and asked with the most pleasant voice he had heard in years, "Did you sleep well?"

”Yeah." Neither the yogurt nor fruit would fill the emptiness in his stomach.

"It's amazing what a good night's sleep will do for your looks," Sherri was exhausted from spending the better part of the evening organizing the Super 16mm camera, sound and light equipment, a crew, a check on film permits, lawyers, and truck rentals. It was a mess and this was for a low-budget movie. Sherri was keeping as close to the bone as possible. There was no cast of thousands. Just the minimum.

Lena leaned against the edge of the sink with her feet wide apart. She regarded this blonde man closely, as he ate the yogurt and fruit. Sherri was right. He was just a man, but she couldn't help seeing someone else on his face. The man from nowhere. This was really him and soon she would be one of the last women on Earth and so would Sherri.

Sherri disliked the distant cast in Lena's eyes and her suggestive body language even more. She grabbed the man's half-finished bowl.

"That's enough for now. We have to go out for a few hours. Try and keep your face out of the fridge. The camera is no fat man's friend."

"Thanks for the hospitality.” Sean planned on pigging out as soon as they left.

"Thank you for being in the film.” Sheri dumped her food in the trash and bent over to kiss him on the cheek. The exotic scent of cinnamon and tar rising from her skin might have taken his breath away, except the plates on the table began to shake and the room vibrated with a low ominous rumble like a jet plane was going to crash in the apartment. Sean tried to get to his feet, but his legs were mushed by a series of monstrous oscillations. Just when it seemed, as if it was going to last forever, the trembling stopped and the roaring was replaced by the car alarms screaming throughout the neighborhood. The two women were white-faced and Sean figured he was too.

"That wasn't no airplane, was it?"

"No, that was a tremor,” Sherri stated calmly, having regained her native-born composure.

"Was that big?"

"Probably in the fours. Nothing like the last one. Nothing to be scared about, Mr. Tempo. Not like back East. Hurricanes, blizzards, floods, crime."

"I lived through New York in the Seventies and never got mugged,” Sean was protective about his adopted city, though he had been knocked out on countless occasions, stabbed twice, and shot once in the leg.

"You got blind to the crime out there and here we are accustomed to the earthquakes, the fires, and smog. You will too, if you stay out here long enough.” Sherri wondered whether she had ever seen him in New York. They were the same age and the tracks on their arms meant they ran in the same circle. She had gone through too many men in her life to remember just one.

"I'll be out of here long before the Big One comes along,” Sean predicted, though without any conviction, and Sherri added, "I think we all will be, but for now you be a good boy and make yourself at home. C'mon, Lena, we have places to go."

The two women left the kitchen and re-appeared five minutes later dressed for the bad weather.

"Mr. Tempo, we'll be back in a few hours. Study your lines and stay out of trouble."

"How much trouble can I get into by myself?"

"I hope I don't have to answer that question later." Sherri grabbed her cars keys and the apartment door was locked from the outside. He wasn't their prisoner, but acted the good guest and washed the dishes in the sink. After drying them he brought his coffee into the living room and sat by the telephone. He dialed the first number he had ever memorized. After two rings his father's recorded voice said that he was in Florida for the month, which was reassuring, since he was out of harm's way.

"It's your son. I'm in LA. I'll call you later. Everything is fine."

Sean hung up and picked up the script. He had about 100 lines. He read them aloud and they sounded dead to his ears. He needed a crash course in acting and could only think of one person to help him. For some unexplainable reason Sean had written the actor's 310 number inside his Irish passport. Vic Granollers could give him advice. His old friend had been nominated for an Oscar, could. After the third ring a woman answered with a European accent. It was not Vic's wife and she asked brusquely, "Who is it?"

"Is Vic there?"

"Who is this?” she demanded.

Sean told the woman his name, thinking she was screening calls, but she rudely stated, "Call back tomorrow."

"Can you take a message?"

"I told you. Call back tomorrow evening."

The line went dead.

The only other number in LA he had memorized was that of his ex-girlfriend from the late 70s. He dialed Tammi's area code, and then hung up the phone. She would be grateful that he had left her out of this.

Despite tens of his friends having abandoned New York for LA in the last twenty years, his mind came up blank for anyone else he might know here. Once people came out to the Coast, they cut all ties to New York, fearful that the mere mention of New York might jeopardize their new lives on the Pacific.

Most of those people would have been ecstatic to be the lead in a film, but Sean grasped that in another world and dimension a bullet had torn through his skull and vultures were now feasting on his corpse.

It wasn't the first time he had come close to dying, but none of them prepare you for the next time. After his chills settled down, he picked up the TV remote control and flicked on the Weather Channel. The sun had to be shining someplace and seeing it would make him feel better, if only until he was long gone from LA.

NORTH NORTH HOLLYWOOD - Chapter 1 - A novel by Peter Nolan Smith

Six women crowded the honeymoon suite of the Coastal Motel. The buxom 'groom' patiently waited on the bed for her 'bride', while the brutish camerawoman glanced at the director and tapped her watch.

"Lena, are you ready yet?" A bead of sweat trickled down the wiry director's spine, as she knocked on the bathroom door.

"One more minute," the female lead shouted from inside the tiled room.

“That’s fine as long as it’s sixty seconds.” Sherri Conti signaled the camerawoman to prepare for the money shot, acutely aware that the different segments of a movie set operated at contradicting speeds within the same time frames.

The technicians were habitually fast, except they were had nothing to do, and the talent was traditionally slow, especially when they were being rushed by the producer.

A director's job was to ensure the contrasting sides of the camera meshed during the actual shooting and Sherri checked the equipment for any potential miscue. Everything was in place, except for the girl in the bathroom.

There was no way that Lena was suffering stage fright. The young starlet had performed sex before a camera over fifty times and had not once gone up or blown her scene. Lena was simply dropping into her persona. Sherri had undergone the identical transformation in hundreds of hotels, condos, and ranch houses over her twenty-year career in XXX films.

The extra time had been worth the wait, because once Sherri had heard the word ‘action’, her body had exhibited a tangible hunger for sex and the camera never lied in an industry with no special effects.

Sherri’s name had once blazed on marquee lights in Times Square and her body had filled a millions of TV screens for audiences of one. A devoted fan had amassed a list of her on-screen lovers. The number ran into the thousands. The handful of stand-outs had vanished from the Valley like animals scourged into extinction. Sherri could have easily joined them, but her near-miraculous survival granted the forty-five year-old director the status of living legend.

The accolades, setbacks, or sins were meaningless to Sherri, for porno was still a business and time was money and she turned to the black woman on the queen-sized bed.

"Josie, give us a sound check."

"You got it, boss lady."

Big Josie Cane had worked for Sherri ten times.

The ex-actress’ production company paid better than the standard daily of $500 and the director had never blindsided the actresses with bizarre requests, so Josie gladly saved her best performances for Sherri. These girl-on-girl scenes were especially easy with Lena, for the Spanish girl shone in a business where most actresses were lightbulbs.

Rising off the mattress Josie spoke into the overhead boom.

"Testing, one, two, three." Josie cinched the belt of the strap-on dildo, which she didn't want to slip out of place during the shoot. This was going to be one long take and she meant to make the most of it.

"How clean is it?” Sherri asked the soundwoman.

Even with the taped windows and heavily blanketed door the microphone picked up the wet sizzle of 18-wheelers on the rain-drenched Ventura Freeway.

"Nothing I can't fix in the sound studio." The soundwoman had heard worst background noise.

The battery of Soft Ks, 10Ks, and Mighty Mole lights around the room pushed the temperature into the 90s. Sherri surveyed the sheen of sweat on Josie and figured that the male audience would appreciate the glistening ebony skin.

"It’s a go, once the 'jig inky' is in focus." The stocky gaffer in jeans studied the bed. Not a single shadow was visible on the sheets.

"Okay, we'll deal with that when Lena is in place." This scene needed to be shot and Sherri nervously pushed back her brown shag-cut hair. “Lena, that minute is up.”

“Ready or not here I come.” The raven-haired actress emerged from the bathroom and struck a provocative pose before the crew. The muscles of her girlish body were taut from dance classes without any deformation by gym training. A neutral-toned blush heightened the smoothness of her olive skin. Mascara accented the Oriental cant of her green eyes and her coal-black hair was cut to mimic Cleopatra.

She was more exotic than beautiful and this attribute converted into star quality. Her DVDs sold out every first run and the critics had nominated her ‘best new starlet’ for the upcoming XXX awards in Las Vegas.

“Finally.” Sharon clapped her hands and the crew snapped to attention.

Lena crossed the room to her off-screen lover.

The actress was an inch shorter than Sherri and her pouting pelvis grazed the director's thigh. The older woman stiffened, wishing that she was on the bed, instead of Josie, however the director had retired from that side of the camera five years ago.

"Nervous?"

"Nervous? I was made for this." The younger woman glided out of reach and every woman in the room studied her nakedness. Lena wouldn't have it any other way, for she was as much an exhibitionist as a voyeur.

Lena lay on the bed with her legs apart.

Her character in the film was called Desiree.

A runaway who had never been with a woman before.

Lena had run away from her home at the age of 14 and knew every aspect of this role inside out.

The gaffer adjusted the 'jig inky', as the make-up artist feathered the final touches on Lena's metamorphosis into a white trash virgin's first meeting with a bull dyke.

The market for most adult entertainment was predominantly male. Lena’s audience was evenly split between men and women, despite purely lesbian content of her films. Part of her appeal had to do with Lena's youth. She was new meat.

Sherri's first film had been a 8mm loop filmed in a Times Square studio. She had played a pizza girl delivering an order of pepperoni pies to a stag party. The invulnerability of her youth hadn’t lasted long in the meat grinder of adult film industry and Sherri was determined to protect Lena from such damage, but no one could survive forever without losing their soul.

Lena deserved to be in real films and Sherri had a plan to get the young girl on the silver screen, but now was not the time.

“Everyone set?” Sherri asked the crew.

“Ready, when you are, boss lady.” The gaffer retreated from the lights and Lena's hand dropped to her shaved vagina. Soon it would be replaced by that of another woman. The old Jefferson Airplane song SALLY GOES ROUND THE ROSES popped into Sherri’s head and the chorus repeated in her mind.

“Saddest thing in the whole wide world is to see your baby with another girl.”

“Josie, take your position.” Filming Lena with another woman was becoming increasingly difficult, but Sherri waved the make-up woman from the bed. In the end she was a professional.

“Places.”

Big Josie Cane assumed the 'top' position for the classic 'cowgirl reverse' shot and the Super 8mm video camera transmitted a pixilated image of Lena speaking her lines onto the video monitor. The picture was a little fuzzy.

“Sharpen it a little,” Sherri ordered the crouching camerawoman.

“Got it.” The camerawoman crystallized the focus with the deftness of a safecracker.

The image on the screen looked real and Sherri prayed a technical failure would halt the filming, except the words, "Lights, camera, action" transported the crew and actresses into the magic world of movie-making.

While the camera wasn’t 35mm and the budget was less than $20,000, every woman in the room prayed today’s filming guiding was a magic carpet them to Hollywood, that most promised of Californian lands, and no one was refusing a shot at the silver screen matter how big or small the stage.

Any god or goddess would have known the truth.

Not everyone gets a shot at fame and fortune.

Only the very lucky and the very good and sometimes the very bad reached the promised land and one look through the viewfinder was proof that Lena de Gama was destined for that heaven, for the camera never lies about the truth.

NORTH NORTH HOLLYWOOD - Chapter 2 - A novel by Peter Nolan Smith

A baby's plaintive cry bounced down the air shaft into the pitch-black bedroom. The middle-aged man on the mattress opened his eyes. The upstairs neighbors had brought their infant home from the hospital. Sean Collan swung out of bed. The bawling ceased as soon as his feet touched the bare wooden floor. Sleep belonged to another day.

"Damn." Sean stumbled from his tomb into the sunlight flooding the living room.

>The blinding brightness indicated another beautiful spring day for January, although Sean wished the city had been buried by a blizzard. At least then he would have an excuse for staying in his apartment since New Year's Day.

Celebrating the First Night at his best friends' loft had been a time-honored tradition. Soul-kissing their angelic daughter at the stroke of twelve was a drastic detour from previous parties. While he had zero reservations about sleeping with someone less than half his age, Sean had known Allee, since she was three, and he fled without wishing "Happy New Year.” to either parent.

Union Square had glowed with thousands of revelers’ high expectations for the infant millennium. Everyone was with someone. None noticed the tuxedoed man walking into the East Village and Sean arrived home with a resolution to not die an old person in New York.

A fast accompanied by a vow of silence should have birthed revelations, except the days of starvation unearthed visions of pork satay, French toast, bacon and fried eggs in bacon grease, chicken pots pies, fried clams and finally this morning corn flakes with bananas drowning in cold milk.

Hunger had him in the submission hold, yet six days in a New York apartment were no forty days in the desert.

Stretching his stocky body, he surveyed the damage. His left knee popped from thirty-five years of basketball, his right torn shoulder was torn after pitching relief in a fastball game at age 40, and his crackling knuckles had busted too many heads.

Thankfully his face had lost its beer bloat and Sean fit into 34 Levis, although not today and he dressed in khaki trousers, Irish sweater, and black leather coat.

On the stairs he passed two neighbors without saying a word.

As safe as New York had become under the law-and-order mayor, the city was packed with people firmly intent on remaining strangers.

Outside on the sidewalk he weaved through the discarded Christmas trees to his motorcycle. A handful of parking tickets fluttered from the 1970 Yamaha 650cc XS. No parts had been stolen and he continued to the corner, which was under siege by a dozen RVs and scores of burly film technicians. Their walkie-talkies squawked out orders from the director and the cameraman across the street was focusing a camera on two diminutive actors.

The stars' names escaped Sean, for his love of the movies had been ruined by over-bloated budgets, gun ballets, parking lot car chases, and Barbie Doll love scenes. Even sitting in a theater had become a chore.

A PA tried to bar him from crossing the street.

"We're filming."

"Great." Sean stepped back onto the pavement rather than start an altercation.

Two policemen eyed him as if he might be trouble, then went back to drinking their coffees.

Upon reaching Veselka's Diner, Sean sat at his usual corner stool. A discarded NY Times lay on the counter and he scanned the front pages without registering the headlines. Nothing had happened during his absence from reality.

A short Ukrainian counterman came over with a glass of water.

"Happy New Year, where you been?"

>Sean shrugged to indicate nowhere.

"The usual?" Anton was accustomed to his long-time customer's vow of silence.

Sean nodded and Anton stuck his order above the grill.

Across the counter three French tourists studied the diner, as if they were on an anthropological expedition.

Back in the late-70s these foreign gawkers would have been plundered for their last franc by junkies. That era’s thieves were dead, imprisoned or burnt out. Junior execs paid good money to live on the Lower East Side. Sean was an anachronism and a quick read of the Help Wanted Ads reinforced his stranglehold on true meaninglessness. No one would hire him for a sales person, cook, or tugboat captain and a rescue from ruin appeared uncertain at best.

>Anton delivered his coffee and buttered bagel.

Sean wrapped his hands around the ceramic mug and thanked the stars for having left him that one last move to save his soul.

"That's not much of a breakfast for a grown man."

Sean turned his head.

Frank deRocco was five years younger than Sean. He looked older by ten. Drinking had spread a lace of red veins across the Ninth Precinct detective's face, tobacco had yellowed his stumpy teeth, and his scalp gleamed under his thin white hair. "Been callin' you the last couple of days, but you ain't been answerin' the phone. You sick?"

Sean shook his head glumly, for the two men weren't friends.

"What's the matter, Seano? You lose your voice?" deRocco spoke out of the side of his mouth, so no one else could hear them. "No matter, you only gotta listen. You know, it's funny, but the other day I'm up in Midtown South, readin' some bulletins to kill time, when I find this Identikit picture of that skinny French bitch you were runnin' with last year. A blonde, no tits, no ass. Just like a boy."

deRocco opened the complimentary notebook from an off-shore Cayman Island bank, then paused, as if he had forgotten how to speak. The stalling ploy played as badly in real life as it did on TV.

"Seems a year ago there was a series of robberies in Midtown and East Side hotels. I'm from the Ninth Precinct and normally don't give a shit for what goes on outside my territory, but this set-up was cute. A skinny French broad shows up at a hotel bar and she's a piece of ass. Now your typical out-of-town businessman hits on her, though he's not typical, since he's wearin' a gold Rolex or Cartier or somethin' foreign. They talk, have a few drinks, get touchy-feeley. He invites her upstairs. She agrees, and, like friggin' magic, once in the room she gets naked and the guy's lickin' her breasts like ice cream, because she says drives her nuts. Then the lights go out for the guy. Wakes up eight hours later with a killer headache and no gold watch, cause here comes the cute part. The French broad coated her nipples and tits with a very strong knockout drug. I can't remember what. Anyway she works this scam fifteen times we hear about, probably another ten where the suckers are too embarrassed to tell the police. The watches run for ten to twenty thou each. Definitely Grand Larceny. Midtown stakes out the hotels, only gettin' a nibble from some whores workin' the hotels, but no blonde French broad. She made her nut and bolted."

Mira Lachelle had been a fashion model before a heroin habit banished her from the runways. The Frenchwoman said that she was here on holiday. Sean gave her a place to stay. Resistance to the wasted princess’ advances was impossible. Mira said the watches were presents. Sean didn’t ask from whom and for the six months after she had left New York, he had come to view Mira as a failed morality test.

He reached into his pocket to pay the bill.

"I ain't got to the story's happy ending yet.” The cop gripped his forearm. “Anyway I put one and one together with her being the 'perp' and you fencin' the 'swag' through your Jew friends in the Diamond District."

he chances of Mira ratting him out were nil. She barely spoke English.

"The way I figure it, those out-of-town suckers got what they deserved.” The cops can claim how much DNA, fingerprints, and evidence help their investigations, however 95% of the crimes are solved by informers and the other 5% from dumb luck. “I mean, New York's not New York without a few hicks gettin' ripped off. That's how you rationalized it, right? Rob from the rich and give to the poor. Anyway I reckon you and the broad grabbed maybe like a hundred thou and out of that you owe us ten grand."

>deRocco was rousting him on a long shot uncomfortably close to the truth and Sean speechlessly moved his head from left to right. The only real score had been a platinum Audermars-Picat Royal Oak, otherwise the bands, cases, and movements of limited edition watches were etched with corresponding numbers and no fence on 47th Street would give more than ten cents on the dollar.

"Stop shakin' your head like a dog that's gonna get beat.” deRocco's bloodshot eyes regarded Sean, as if he was a pet turtle on his back. “I know you're busted, but you still owe me and my ex-partner. You remember Kev, right?"

Kevin Driscoll had been invalided off NYPD after a Dominican dealer holding out on their cut had popped off a lucky shot into his knee. Driscoll had succeeded with an even luckier shot and the perp had arrived DOA at Bellevue, forestalling any departmental investigation into the bagman's errant ways.

"You should thank your stars, that you're talkin' to me and not him, because Kev's real pissed, but me I like you. I mean we go back to when? 1980. The National Club. You never spoke to Internal Affairs and I respect you for keeping your mouth shut."

Due to a juvenile belief in the criminal code of honor, Sean had not informed Internal Affairs about the precinct cops accepting bribes for turning a blind eye to an after-hours nightclub, thereby adding one more chip to his leaning tower of wrong turns.

"A long time ago, but it has to count for something, which I'm giving you an out to get straight with us. You're goin' to whack a stranger." Frank deRocco's lips barely moved, as the words crackled like old leaves off his nicotine-stained tongue. "Do it and we're quits."

>Sean blinked in disbelief.

"What are you lookin' at, you fuckin' frogs.” DeRocco sneered at the French tourists across the counter. “This ain't no Martin Scorcese film. You want a free show. Go to friggin' Mickey Mouse Times Square, you Frog bastards."

The tourists retreated into the restaurant's dining area and Frank deRocco demanded, "So what do you say?"

>If Sean refused the cop's offer, Frank deRocco would drag him out to 2nd Avenue and shoot him dead. One by one the jumbled syllables crawled onto his atrophied tongue. "First, that I owe you 10K is bullshit. Second, you want someone to killed for free, then go up to St. Patrick's Cathedral and pray for God to strike him dead with lightning. Otherwise it's ten thousand."

"Balls, lotsa balls. I thought it'd come to this, but ten thou's a lot, considering we weren't gonna to pay you squat."

"That's the deal," Sean took a bite from the bagel. His demand for money would buy time, which is always a valuable commodity, when your moves are down to none.

"Okay, you get the five up front." The burly detective had counted on Sean's being greedy. "And you get the other five, when the 'vic's' history."

"I do?" Sean didn't have any time to ponder why the cop had accepted his counter-offer. deRocco yanked Sean off the stool. "C'mon, we're out of here."

The early morning passers-by on the sidewalk thanked their stars that they weren't being stuffed into an unmarked Chevy Caprice. "Relax, Seano, you're going to Las Vegas, not the Meadowlands. America West out of JFK at 9:30."

"That's an hour from now."

"Plenty of time."

The cop stepped on the gas and the Chevy lurched into the Second Avenue traffic. "I got your getaway bag from the apartment. Always ready to go, right?"

"I try." Sean breathed a little easier spotting the old leather bag inside which everything he needed to affect a getaway. Everything other than money and deRocco seemed willing to take care of that problem. Five thou was good for a half-year in Asia.

"You always talked about writing a big story." The cop lit a cigarette. "This is as big as it gets as only as you change the names to protect the guilty."

"Thanks for the inspiration." Sean had given up on writing years ago. There were already too many words being scribbled for television, movies, books, greeting cards, and ads without another writer adding the tower of babble about events better left secret.

"I mean you got Vegas, a murder, two dirty cops, a loser, maybe a hooker and an Elvis imitator thrown in for a little color."

"This isn't going a kamikaze job?" You had to ask, whether or not you intended to commit the murder.

"Hey, you get to ride into the sunset. Up ten thou. Can't do better than that." Frank deRocco knew his passenger’s fate.

"No, I guess I can't," Sean replied with the reggae chorus 'Murder, she wrote." repeating in his head.

Over the years he had broken more than a few laws starting with joy-riding in the 1960s, pot-dealing in the 70s, and illegal after-hour clubs and money laundering in the 80s, yet he had never killed anyone and he had no intention of breaking that streak.

Somewhere between New York and Las Vegas he would find the chance to vanish into the crowd and avoid being the executioner of a faceless stranger. Sean would have take advantage of that moment, but thankfully Las Vegas was all about luck, unfortunately sometimes more bad than good. Sean could only bet on the latter, because he didn’t need to crap out again in this lifetime or the next.

NORTH NORTH HOLLYWOOD - Chapter 3 - A novel by Peter Nolan Smith

THREE

The twentieth-floor suite's view of the Las Vegas Strip framed the expansive desert horizon. Most tourists considered this vista spectacular, however its occupant was transfixed by his reflection in the floor-to-ceiling mirror. Louie Sinreich looked good for 35. His sandy hair was a tribute to the technological advanced in salon coloring and his smile gleamed like the keys of a new Steinway piano thanks to monthly visits to a Hollywood dentist.

Five hours a week at a Hollywood gym maintained his body's Adonis musculature. The effect was all natural, which was more than he could say for his overnight guest, a surgically-altered blonde sprawled atop the king-sized bed’s satin sheets.

Her name drew a blank, but she couldn't have been born with which she had introduced herself at the casino bar last night. Two drinks into her come-on she had commented on his resemblance to James Wood. Louie had heard the line before.

"He's my 3rd cousin."

It was a lie used so many times he almost believed it himself.

"What's a 3rd cousin?"

"The son of my uncle's nephew."

"That's funny." $1500 had persuaded the blonde bombshell to join him for a nightcap. He had dropped a Blue Boy on the elevator and inhaled a rail of meth inside the suite. Erect and awake he exacted his money's worth from his guest; five happy endings in 8 hours. She negotiated another $500 during this marathon. Louie had gladly paid it, but now was time for her to go and he slapped the showgirl hard on the ass.

The blonde whelped awake and raked back her Malibu-blonde hair with lacquered fingernails.

"I hate Viagra."

"Don't worry, honey, party time’s over." Louie waved for her to get out of the giant bed. "I have guests in five minutes, so you gotta go."

"I understand business before pleasure." The curvy showgirl jumped to her feet and into her form-fitting leather sheath in less than ten seconds, then strapped on her high heels, as if they had materialized from thin air.

"You need a date for later?"

"I know where to find you, if I do." Louie hid his erection, since he disliked any woman, especially a hooker, thinking she had any power over him.

"Then I'll be seeing you around." The blonde blew him a kiss.

"I'll be around too."

The door shut without a noise and Louie ventured over to the double-paned window overlooking the canyon of casinos. Across the street a fake volcano's fiery eruption magnetically drew hick tourists into the gambling hall like the ants to a picnic and Louie's mind crunched the numbers.

"$600,000,000 makes someone a player in this town. When I build my casino, it'll cost a billion, maybe even more. The biggest and the best. A regular Tenth Wonder of the World."

Louie Sinreich's grandest scheme was to construct a casino catering to the wicked of this world far from family-oriented Vegas. Deep in the desert BABYLON would crown his five-year plan to dominate the adult-film industry and the buzz at the hotel room's door was a small step in the right direction.

"One second." Louie slipped into a silk robe and opened the door to a middle-aged couple in matching purple jogging suits. The redheaded woman's massacred eyes grazed down his torso and her slightly overweight husband grasped Louie's hand.

"Sorry, if we're a little early."

"Nothing to be sorry about." Louie released the handshake and led the woman inside the room. "Please sit down. Can I get you a drink? Some coffee maybe?"

"Just some water.” The older man settled onto the sofa next to his wife and patted her thigh. "Dorrine and I have given up caffeine."

"Nothing like living healthy."

>"We agree, Mr. Sinreich." Dorrine unzipped her warm-up jacket.

She wasn't wearing a bra and her breasts sagged onto her ribcage.

>"On the West Coast we go on a first name basis.” Louie handed them two glasses of water. "Call me Louie, please."

"Sure, Louie, I want to thank you for flying us out here, but I don't really see how you can help us."

"Henry, why are you always so negative?" Dorrine planted herself on her husband's lap.

In Rockford, Illinois Dorrine Johns stopped cars.

In Vegas she was an over-sexed woman vainly struggling to fight off the overflow of years.

"Kids, it's love not war." Louie signaled a time-out with his hands. "Henry's right to wonder why I flew you two out here. Sure, there's the computer convention, the awards ceremony, gambling, and shows, but when I said, "Business." I meant business."

"What kind of business?” Henry put down his water.

"Ten years ago if anyone had told me amateur videos would grab 15% percent of the market, I would have told them that they were nuts. That’s how big the home videos are now and whether you like it or not you are on the cutting edge of the porno industry."

"Dorrine and I never intended to sell videos. They were just a way for people like us to get in touch with each other. With themselves."

"Henry thinks of 'Swinging' as a religion to free both body and soul." Dorrine tapped her husband's face.

"However it started, now you find yourselves the head of America's biggest swinging network. 150,000 couples coast to coast happy to pay you $150 per year to join a swinging network. Pretty good money any way you cut it, but I can increase your earnings."

"I'm quite happy where I am," Henry fidgeted under his wife.

"I know you are, but you have obligations to the public now. The viewers were tired of Barbie Doll starlets faking orgasms. They started buying your videos. When you have a 'product' people want, money comes to you. No one's asking you to betray your members or beliefs and I respect protecting your members by HIV tests. I do the same for my actors and actresses. Every twenty-one days they’re tested for diseases. You and I may have different goals, but when it comes time to defending our freedom, you, me, and Dorrine all get naked on the same side of the bed."

"I guess so." The years of harassment by the various anti-porno prosecutors had proven allies in the battle for a free libido were few and far between.

"Henry has trouble accepting being 'King of the Swingers' makes him a millionaire, right, Henry?"

"Swinging isn't about the money. You may see hundreds of starlets a week, but I see Dorrine with another man, I see her alive with his desire. Almost like the first time I saw her."

"I was 19. You were married, but this isn't about us, honey, listen to what the man says."

"Thanks you, Dorrine."

Louie sat on the sofa and stared into Henry's eyes.

"I understand your feeling for Dorrine. I felt the same way the first time I saw her in that badly cut video. And I saw that she wanted more excitement than any small town can give her," Louie Sinreich seamlessly explained how the Johns could expand their access to swingers by having his production company professionally edit and license their catalogue of amateur videos for online access. "Not only will you make millions, you'll be stars of the internet."

"Just say yes, darling, just say the word." The redhead bounced on her husband’s lap.

"When have I ever been able to tell you no?" Henry smiled like a little dog and his wife and she kissed her husband with a conspiratorial wink at Louie.

"You won't regret this, Henry. Not one bit." Louie derived zero thrills from watching regular John and Jane Does mimicking porno films.

Still snaring a major share of a multi-billion dollar industry was good morning's work for a man just out of bed and he reached over to free Dorrine's breasts from her track suit. The 42 longs were not a pretty sight either, but this part of the game never was until you signed a contract.

Then it was all happy faces to the bank.

NORTH NORTH HOLLYWOOD - Chapter 4 - by Peter Nolan Smith

FOUR

The red light next to Las Vegas flashed on the departure board. America West's flight was in the final stages of boarding and Frank deRocco rushed Sean through the JFK's crowded terminal. The detective's gold shield got them through the metal detector and Sean's bag passed the X-ray test.

They ran to the gate and deRocco brandished his badge.

"I gotta get this man on the plane."

"They're shutting the door." The Dominican attendant was closing out the flight.

"Is the door shut?" deRocco presented his NYPD gold shield. He was out of breath. Cigarettes were killing him.

"Not yet." The gate attendant hated dealing with late passengers, but he picked up the phone and told the ground crew to hold the flight. "I wish you people could get here on time.

"This is police business." deRocco wasn't taking no for an answer. "Tell them to hold the plane."

"I could always catch the next flight." Sean tried to shrug off the heavy cop's grip.

"No you can't. I paid for this one and this is the one you're taking." deRocco dragged him down the slanted corridor to the Boeing 757. Once more the badge was presented and the ground crew reopened the door.

"Are you sure you're going to be alright?"

deRocco's face was a florid red.

"Stop stalling and get on the plane." deRocco pushed Sean through the jet's door.

"What about you?"

"I'm not going anywhere."

"I'm going alone?"

"Yeah, you're going alone, but someone will meet you in Las Vegas. He'll tell you the what, where, and when."

"What about the money?"

"The money?" The detective stuck an envelope in Sean's pocket. "You just do like I told you. It'll be a snap."

The 757's door shut with a slow thunk and the stewardess asked Sean to take a seat.

"Does this flight make any stops?"

"No, it's direct to Las Vegas."

"Figures."

A non-stop flight excluded his deplaning at a hub airport. deRocco's contact would be waiting in Las Vegas with Sean's photo in hand and probably a gun in a shoulder holster, but that fate was hours away and he walked down the aisle.

He almost sat in first-class.

No one ever questioned an intruder, but decided to not push his luck and settled for snatching three magazines from the overhead bin. Economy was almost as bad as a charter flight, since nearly every passenger was white-haired and overweight. The steward motioned for him to buckle up and Sean sank into his seat by the window.

The 757 pulled away from the gate on time and taxied onto JFK's main runway. The big engines throttled up with a roar and the jet's acceleration drove the tons of steel down the runway, till the plane climbed into the air in defiance of gravity. Seventeen seconds later the pilot banked the aircraft, giving Sean a slanted vista of Manhattan's spires and towers and for the first time this morning he realized that he was leaving New York.

Once the 757 leveled off at 24,000, the flight crew passed out free nuts and drinks.

Sean scrounged three packets, which he devoured in a minute.

Once the seat belt sign went off, he dug his bag for a leather toiletry bag. The cop hadn't touched a thing. With Las Vegas only five hours away he had a lot of work to avoid violating the Fifth Commandment.

Back on the ground at JFK deRocco punched a ten-digit number on his portable phone and a gruff voice answered after three rings, "Who's this?"

"Like the only person who has this number. Me."

"Where are you?"

"JFK."

"Where's Tempo?"

"On the plane"

"What about you?"

>"I don't fly, you know that." Throughout their long collaboration Kev had played the ‘away games'. The ex-cop had insisted on his partner joining him for this last contract and now shouted, "You and your fuckin' flyingaphobia. How am I gonna do this?"

"You're not doin' nothin'." Normally Driscoll could have executed this contract in his sleep, except every pro only has so many 'games' in him and Kev was well into overtime. "You got the Fed-Ex package, right?"

"Yeah."

"Just do like I told you and we're in the clear."

"Is he clean?"

Tempo?"

"Who else?"

"He's like an altar boy." deRocco fought off the urge to light up a cigarette in the non-smoking terminal.

"Good, this is going to tie up a lot of loose ends."

DeRocco was slowly coming down from the morning's high-tension act.

"What's it like out there?"

"What'd you care, you fear-of-flyin' freak? I'll call you later." The line went dead.

Outside the terminal building deRocco lit up a cigarette and lifted his eyes to a jet lumbering into the sky. What scared him most about flying was the lack of control. All you could do was sit there and pray the plane didn't crash into a swamp or cornfield.

Shaking these fiery images, deRocco sucked on the burning tobacco and congratulated himself on another job well done. No one else would have, of course very few people did what he did and after this job neither would he.

NORTH NORTH HOLLYWOOD - Chapter 5 - by Peter Nolan Smith

FIVE

The warm California sun flayed the storm clouds into fleecy shreds and soon the morning reminded every non-native why they had moved to Los Angeles in the first place. Two days of rain had painted the hillside scrubs a verdant green and the palm trees wavered with the waning wind. By mid-morning the temperature in the Valley rose into the mid-seventies and a superbly conditioned brunette touched up her tan on the back balcony of the unoccupied apartment complex near Sherman Way.

Any voyeur would have mistaken the naked woman to be a mindless sun worshipper, but Sherri Conti was thinking very hard about how to get money to finish her first non-pornographic project ADAM AND TWO EVES.

She had the crew, the equipment, and the two actresses, Lena and herself for this low-budget feature about the last man on earth. They had shot 70% of the film throughout December. Neither woman had exchanged Christmas gifts, since they had financed the film through their credit cards. All their plastic was maxxed out to the limit. Another $20,000 would finish the film, however money wasn't the biggest problem for this project. Sherri could get the money with a single phone call.

They didn't have a male lead.

Hollywood actors’ fees were out of her league and most weren't risking their careers on working with an unknown director connected to the porno industry. Sherri had scavenged every casting book in the business. She had auditioned almost a hundred unknowns. None had fit her vision for 'ADAM AND TWO EVES' lead, a man like the saint from Bunuel's SIMON OF THE DESERT.

Beaten by weather and cursed by God.

40 and still handsome.

He had to be out there somewhere.

Sherri turned her head to the bedroom.

Lena was packing an overnight bag for her trip to Las Vegas.

After forty-one films together their relationship had become more than simply sex for the older woman. Lena was unlike any other of her previous lovers and Sherri wasn't the only one who felt that way.

Men and women at gas stations, supermarkets, and coffee stores demanded autographs, as if Lena was a budding Hollywood star. Most of them had seen the young actress in Sherri's XXX videos online, which portrayed women as instruments of their own desire rather than receptacles for men's lust and Lena's uncanny metamorphosis into the films’ characters had helped these films realize a massive cross-over demand from the mainstream audience. In recognition of these phenomena, Lena would be honored with the 'Best New-Comer' title at the XXX-RATED Awards ceremony tonight in Las Vegas.

She deserved much more.

Several minutes later Lena came out on the terrace.

"You all ready to go?" Sherri shielded her eyes from the sun.

"After a kiss, yes." The young actress wore a matching combo of gold silk hot pants and a tube top. A white leather jacket dangled from her fingertips.

"Aren't you going to be cold?"

>"That's why I have the leather." Lena didn't like clothes. "I wish you were coming with me."

"I have some editing on the film, besides this is your big night.”

Twenty years ago Sherri had been a young girl straight out of the Jersey Pine Barrens on the way to the top, completely blind, deaf, and dumb to how much the lifestyle of a porno actress would demand from her body and soul.

"I'll go to the gym later."

"To exorcise the demons." Lena was too young to be haunted by an adult past.

"It's the only way." A strict diet and daily exercises fought off the tidal tug of her old life. She was in good shape for a woman her age or ten years younger, but her heart was a wasteland from too much sex and too many drugs.

"There are other ways besides gym and hard work." Lena rubbed the back of her heel. The straps of her high heels were biting into the flesh. They were new and she liked the sound of them clicking on tile.

"Like you."

A psychiatrist had diagnosed her condition as 'adonia mixed with apathy'.

This inability to feel pleasure stole any chance to fall in love and Sherri prayed that Lena was the cure, but as long as they were involved in porno, nothing would fill the emptiness of her soul.

"Yes, me." Lena knelt between Sherri's bare thighs. "You know I want you with me."

"I know, maybe next year.” Lena was young and the only thing Hollywood worshipped more than beauty was youth, which was the one commodity that money could not buy in this town.

"I know the real reason you can't come.” Lena inhaled the fragrance of burnt peaches off Sherri's skin and her finger skated along the raised tracks of scar tissue inside her lover's arm. “You can't see any of those people. Those people from your past. You think it would kill you, if you did, but I wouldn't let that happen to you."

"I know, but I'm still not strong enough.” Sherri stroked Lena's head, so the long black tresses tumbled onto her belly. "Sorry."

"Nothing to be sorry for, Sherri, but if you don't mind, I want to wait a few more minutes before I go.” Lena shucked off her clothes and the morning sun melted their nakedness together, until Sherri tapped her shoulder. "If you don't go now, you won't make it there."

"Only if you insist." Lena picked up her clothing from the tiled floor. It took her less than ten seconds to get them on.

"Go have a good time.” She had lived through her own wild period without listening to anyone and understood Lena was too young for domestication. The two women kissed without parting lips. How long Sherri could hold Lena was a question she would never ask the girl.

"If you see anyone suitable to play the male lead for ADAM AND TWO EVES, get their number."

"Anyone?" Lena had met tens of men who could have performed the role and Sherri had turned them all down.

"You know what I'm after.”

"Yes, a man in his forties. Blonde hair. Slightly beat-up. Not too thin, not too fat. A rough voice and a not just another pretty face." Lena wouldn't have been so strict as Sherri. After all it was just a movie.

"And he has to look like he has lived on the road."

"Slightly brutish. Like Robert Mitchum with a heart of gold,” Lena joked, but Sherri remembered the actor’s darker roles. "Not from NIGHT OF THE HUNTER."

"Or CAPE FEAR."

"And he's too nice in HEAVEN KNOWS."

>"And too young in THUNDER ROAD.” They would never find a man at this rate. "I have to get going."

Sherri handed over the keys to the Skylark parked downstairs. "Drive carefully."

"I'll come back in one piece." Lena could not bring herself to tell Sherri she loved her for letting her run free. She had heard the word 'love' from too many men and women in a multitude of languages, when they meant something else, instead she stepped into the hallway from where she would have blown Sherri a kiss, except the apartment door shut.

Accustomed to no good-byes, Lena pressed the elevator button for the garage.

>The Buick's V-8 powered the Skylark onto the Ventura Freeway. Lena's finger hit the stereo's PLAY button and Madonna's MUSIC blasted from the speakers. Her body wriggled to the beat under the fastened seat belt.

A warm wind blew through the driver's window.

Once she was out of the city, she'd put down the top.

She was happy to be on the road, for like a river overflowing its bank, there was no controlling youth once she were free.